Single Collar Tie (Defense)

Shoulder Drop Throw (Drop Seoi Nagi/Seoi Otoshi) *example 

https://www.youtube.com/watch?v=gHlZ4yYwJGI

Clinch Positions Working List

1. Head Control

    Single Collar Tie With Bicep Control

    Double Neck Tie

    Neck Tie With Under Hook (Open Hands)

    Neck Tie With Under Hook/Pinch Headlock (Closed Hands)

    Standing Arm Triangle Position

    Neck Tie With Over Hook

2. Cross Frame

    Cross Frame With Under Hook

    Cross Frame With Over Hook

    Cross From With Shoulder/Bicep Control (Thai Knee Position)

3. Under Hook

     Under Hook With Bicep or Wrist Control

    Double Under Hooks High (Open Hands)

    Over Under Position (Open Hands)

4. Over Hook

    Over Hook With Bicep or Wrist Control

    Double Over Hooks

5. Torso Control

    Double Under Body Lock - High (Closed Hands)

    Double Under Body Lock - Low (Closed Hands)

    Double Under Body Lock Side (T-Position)

    Double Under Body Lock Side (T-Position ) 2 on 1

    Over Under Body Lock (Closed Hands)

    Over Under Side (T-Position) (Open & Closed Hands)

    Back Clinch 

6. Bicep Tie

    Double Inside Bicep Tie

7. Wrist/Hand Control

    Wrist/Hand Control (Misc)

The problem with classification is that you have two arms often doing different things. For instance, your right arm may have a single neck tie while your left hand has a inside bicep tie. So do you classify that position as a single neck tie or as a inside bicep tie? The rule I have in place is that any position involving the head will be classified as a head position. From there, the cross face takes priority. Then under hook and over hook, and so on. 

Back Step

The back step refers to footwork used in various throwing techniques.

*Tutorial 1

*Tutorial 2

https://www.reddit.com/r/judo/comments/5ixr5o/entry_methods/

Positional Dominance and Scrimmage Wrestling

Volume 1

Intro	0
The Main Theme of This Video	5:27
1st Theme: Positional Hierarchy Applies to the Standing Position	8:02
2nd Theme: Reshots Are Easier Than Shots	10:58
3rd Theme: Submission are the Joker in the Pack	12:47
4th Theme: Scoring Criteria in Jiu Jitsu is Different From Wrestling	16:46
5th Theme: Takedown Defense as 2 Distinct Phases	22:49
Chapter 1: Positional Takedowns - The Rear Body Lock - Understanding the Rear Body Lock	26:37
Getting to a Standing Rear Body Lock From Neutral - Armdrag - Mechanics of the Armdrag	34:45
Head Inside Arm Drag	43:33
Head Over Arm Drag	51:40
Sliding Arm Drag	56:26
Arm Drag Drill	1:03:15
Sasae Arm Drag	1:06:51

Volume 2

Throw By - Underhook Throw By	0
Front head Lock	8:08
Slide By - Collar Tie Slide By	12:00
Collar Tie Slide By II	17:51
Shrug Slide By (with a V-post)	21:47
Body Lock Slide By	29:44
Power Twist (Uke Goshi)	37:30
Duck Under - Collar Tie Elbow Post	43:30
Collar Tie Snap Duck	49:23
Underhook Duck Under	53:29
Wrist Ducks	57:38

Volume 3

Special Study: The 2 on 1 - A Superb Backtake Method - Getting to a 2 on 1	0
Controlling the 2 on 1 Position	8:52
2 on 1 Figure 4 Snap	13:24
Figure 4 2 on 1 Snap Down Go Behind	19:24
2 on 1 arm drag	23:23
Climbing the Arm from a 2 on 1	27:24
Uchi Mata Go Behind	32:27
Takedowns From The Standing Rear Body Lock - Reverse kosoto Gake	36:18
Reverse Deashi Harai (Walking Variation)	42:24
Reverse Deashi harai (static version)	48:26
Reverse Half Sasae	52:53
Knee Sweep	57:56
Reverse Kouchi Gari	1:03:27
Reverse Tai Otoshi	1:08:46
Reverse Double Leg	1:13:33
Turning Double Leg	1:17:29
The Side Lift	1:22:09
Hip Crank	1:27:32

Volume 4

Short Offense - What is Short Offense?	0
Getting Into Short Offense - Proactive Method: Snapdowns	7:20
Snapdown Drill	15:24
Reactive Entries Into Short Offense	20:41
The 3 Major Grips from Short Offense	25:05
Double Pits Arm Drag Go Behind	35:35
Front Head Lock Arm Drag Go Behind	47:08
Arm Drag Go Behind Into Takedowns	51:59
Short Offense Arm Drag Go Behind Drill	57:07
Chapter 2: Reshots - Why Reshots Are Easier Than Shots	59:24
Classic Reshot Drill	1:03:21
Classic Reshot Drill Featuring Placido Santos	1:05:38
Ankle Pick Reshots	1:07:30

Volume 5

Chapter 3: The Theory and Practice of Scoring Takedowns in Jiu Jitsu - Scoring Criteria for Jiu Jitsu Takedowns	0
Understanding the Problem: 3 Critical Scoring Positions	8:22
Scoring on Turtle	12:08
Scoring on Referees Position	33:58
A Great All Around Method Of Stopping an Opponent Standing Up: Crab Ride	44:28
Scoring on 4 Point Position	51:14
A Common Problem From 4 Point Position and a Simple Solution	1:01:17
A Very Important Insight for Jiu Jitsu Players: The Golden Rule of the Arms	1:04:26
Breakdowns From 4 Point Position - Back Foot Shoelace Breakdown	1:08:40
Front Foot Shoelace Breakdown	1:15:45
4 Point Breakdown Drill	1:19:33
Kosoto Breakdown	1:22:36
Spiral Breakdown	1:25:37
Gut Wrench (Daki Wakare)	1:30:06
Back Cradle Breakdown	1:39:31
Hamstring stretch Breakdown	1:43:41
Seatbelt Trip Back	1:50:51

Volume 6

Chapter 4: The Key to Winning the Jiu Jitsu Takedown Game: Controlling the Immediate Aftermath of a Takedown -Stepping Over The Legs	0
Cover the Hips	10:40
Head Over Head	14:25
Chapter 5: Takedown Defense - Defending Leg Tackles: The Golden Rule	19:33
Defending the Single Leg Takedown: Belly Whizzer	23:18
Defending the Single Leg Takedown: Hip Tilt	32:41
Defending Head Inside Single: Sumi Gaeshi	35:43
Countering a High Single Leg	39:17
How to Sprawl More Effectively: 4 Don'ts and a Do	45:10

Volume 7

Special Topic: The Limp Leg Takedown Defense - The Turning Limp Leg	0
Turning Limp Leg vs High Crotch	6:12
Turning Limp Leg vs Double Leg	7:46
A High Turning Limp Leg	9:29
The Front Limp Leg	12:10
The Low Limp Leg	15:43
Defending a Double Leg Takedown	18:25
Hip Heist	22:41
Roll Through Counter	28:13
Defending the High Crotch	32:15
Chapter 6: Positional Defense - A Current Weakness in Jiu Jitsu	37:26
Standing Escapes Contrasting Styles	40:27
Kimura Roll	50:27
Cross Body Granby	53:08
Granby	56:38
Standing Granby	58:51
Elbow Penetration	1:01:31
Maki Komi	1:03:56
Switch	1:06:46

Volume 8

Chapter 7: Standing Submissions - The Crucial Role of Submissions in the Standing Jiu Jitsu Game	0
High Wrist Guillotine	6:57
Arm In Guillotine	12:39
Learn to Fight the Takedown First and Apply the Submission Second	23:13
Darce Strangle	26:58
Anaconda Strangle	35:54
Side Triangle (Yoko Sankaku)	39:25
Kimura vs Single Leg	43:55
Kimura Part II	50:17
Kimura Part III	54:40
Hand Kani Basami to Heel Hook	57:40
Forward Roll To Heel Hook	1:07:35

Cross Frame

Positions

Cross Frame 

Cross Frame With Under Hook

Cross Frame With Over Hook

Cross Frame With Shoulder/Bicep Control (Thai Knee Position)

Used As A Strike *Example

Striking

-Elbow *Example

-Palm Strike *Example

-Knee

The cross frame/cross tie is primarily used to control the distance between you and your opponent. It hinders your opponents ability to get close enough to secure a grip on your body while maintaining a distance which allows you to strike with knees, punches and palm strikes. When securing the frame, treat it as a strike to your opponents neck or throat. 

Wrist/Hand Control

Outside/Top Of Hand Control (Single or Double Wrist/Hand Control)

Striking

-Diagonal Down Elbow *Example *Matt Brown Example *Example *Jon Jones *Example

-Knee *Example *Example *Example

-Inside Leg/Groin Kick *Example

-Outside Leg Kick *Example

Outside Cross Wrist/Arm Control

Inside Leg Sweep following kick *example

The Immortal Clinch: Matt Brown

 Volume 1

Introduction - Back Story	0
Some Basics Of Clinch (Stance, Wrestling VS Striking, Differences Of MT, MMA And Wrestling Clinch) -Parallel Stance-gives you equal access to weapons on both sides of the body -Balls of the feet, knees slightly bent -Distance-elbow on opp. chest is a good distance. -Heads up, back straight	3:29
Entering The Clinch	5:14
Elbow Entries -Thinks of opp. hands as having squares around them. If he is on the top or inside, he has easier elbow entry. If on the outside or bottom, harder to enter with elbow. -Puts hands on top of opp. hands, then executes a diagonally down elbow. Doesn't really pull hands down. Instead uses them as a guide. From there move into underhook or double neck tie. -Uses vertical up elbow to slip between guard and strike the face. From there moves to double neck tie.	7:03
Knee Entries -From double wrist control, yank the wrist down (causes opp. to pull guard back up) & immediately knee. (He prefers to knee the side of opp. body where his leg is back). From there he moves to double neck tie. -Hop In (fake knee), to double wrist, to knee, to double neck tie -Switch step, to double wrist, to knee, to double neck tie	9:38
Defensive Entries -Forearm block to inside bicep tie -Slip jab or cross to double neck tie -general rule-whenever you touch opp. head or limb, throw a knee	13:35
Pummeling - Pummeling Head/Neck	17:54
Pummeling Biceps	22:33
Over/Under Pummel	24:24

Volume 2

Control - Double Neck Tie (Plum)	0
Bicep Control	3:49
One Head One Bicep	6:06
Mixing Positions	8:03
Breaking Posture - Gable Lock	10:00
Knee On Hip	14:12
Head Snap	17:50
Locks - Plum Lock	20:40
Neck Breaker Lock	27:11
Yodwicha Lock	30:57
Tanadet Lock (Long Clinch)	33:28

Volume 3

Trips - Pull Trip (Sasae Tsuri Komi Ashi) Supporting Foot Lift Pull Throw	0
Push Trip (Kosoto Gake) Small Outer Hook	5:50
Inside Sweep	7:22
Turns - Bicep/Armpit Push Turn	10:41
Washing Machine	14:52
Lat Push/Pull	18:05
Striking Within Clinch - Elbows And Knees From Plum	20:25
Elbows During Pummels	24:24
Turn To Knee	27:22
Trip To Knee	29:53

Volume 4

MMA Add-Ons - Getting To An Underhook	0
Underhook To Knee Pick	2:25
Underhook To Single Leg	6:04
Underhook To Body Lock	7:41
Thigh Pry	10:59
Neck Exercises	15:07
Outro	25:47